Burda litigated, won in the first instance and lost in the third instance. They distrusted Burda's business abilities and put their personal interests first. A serious family crisis occurred when the brothers, contrary to an agreement, sold their shares in Axel Springer Verlag to his heirs in April 1988. Takeover of the company and first years thereĪt the end of 1986 / beginning of 1987, Burda took over Burda Holding as sole shareholder and chairman of the board after his father had died and his sons had only recently made his deputies.
In the style of the time and based on twen, half-naked women were also depicted, which the Catholic father, who however had a child at the time of Hubert's birth with his secretary Elfriede Breuer, who was ten years his junior, put it down after a year. In 1969 he dared to launch an independent magazine project with m - Die Zeitschrift für den Mann. Īfter several traineeships in US advertising agencies and publishing houses, Burda worked until 1974 as the publishing director of Burda's own magazine Bild und Funk. The subject of his dissertation was The Ruin in the Pictures Hubert Roberts. He did his doctorate in art history before the age of 26. Burda studied art history with Hans Sedlmayr as well as archeology and sociology at the Ludwig Maximilians University in Munich. The father wished for a different career for the son, as a compromise he was allowed to study art history instead, but only on the condition that he had completed his studies and doctorate at the age of 25. As a primary school graduate, he took painting lessons every afternoon until he graduated from high school - almost two years - and developed the desire to become a painter. Hubert was born after Franz and Frieder as the youngest of three sons of the publisher couple Franz and Aenne Burda. Live and act Youth and the time before New York 1.3 Establishing the Focus and Burdas company strategy.1.2 Takeover of the company and first years there.
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